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Title |
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Track # (Timing) |
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Power Pop A driving, moody, angst-ridden rock cut full of distorted guitar and keyboard sweeps.
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|

1 (2:21) |

2
(2:19)
|

3
(:60)
|

4
(:30)
|

5
(:20)
|

6
(:10)
|
 |
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Without You A mid-tempo British pop cut with distorted guitars, Chamberlin strings and a slow-building, anthemic end.
|
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7 (2:16) |

8
(2:14)
|

9
(:60)
|

10
(:30)
|

11
(:20)
|

12
(:10)
|
 |
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Getting Closer E-Bowed guitars and an organ hover while the guitar and drums push each other to the edge in this upbeat groove.
|
|

13 (2:20) |

14
(2:20)
|

15
(:60)
|

16
(:30)
|

17
(:20)
|

18
(:10)
|
 |
|
Gotta Get Away Looped guitars and percussion intertwine into a watery anthem complete with a string sectio and slide guitar.
|
|

19 (2:09) |

20
(2:09)
|

21
(:60)
|

22
(:30)
|

23
(:20)
|

24
(:10)
|
 |
|
Sonic Glue An orchestral pop melody files over a ranchy guitar and fast, funky drums.
|
|

25 (2:04) |

26
(2:04)
|

27
(:60)
|

28
(:30)
|

29
(:20)
|

30
(:10)
|
 |
|
Lazy Susan Watery guitar and organ flow over a bittersweet groove that gradually builds.
|
|

31 (2:27) |

32
(2:27)
|

33
(:60)
|

34
(:30)
|

35
(:20)
|

36
(:10)
|
 |
|
Star Pose This mid to up-tempo cut alternates power chords and huge '70s style drum fills with sad, soaring guitar melodies.
|
|

37 (2:14) |

38
(2:13)
|

39
(:60)
|

40
(:30)
|

41
(:20)
|

42
(:10)
|
 |
|
Eight Ball An upbeat Manchester-style drum and percussion groove married to a British Invasion bass line and a deliberately sloppy slide guitar.
|
|

43 (2:09) |

44
(2:09)
|

45
(:60)
|

46
(:30)
|

47
(:20)
|

48
(:10)
|
 |
|
These Years Mellotron strings, a psychedelic flute and hip-hop-influenced drums make this cut a homage to the '60s and '90s.
|
|

49 (2:20) |

50
(2:20)
|

51
(:60)
|

52
(:30)
|

53
(:20)
|

54
(:10)
|
 |
|
No Tomorrow New Orleans funk meets South African guitar in this feel-good in this feel-good late '80s pop song.
|
|

55 (2:19) |

56
(2:18)
|

57
(:60)
|

58
(:30)
|

59
(:20)
|

60
(:10)
|
|