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Title |
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Track # (Timing) |
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Planet Destroyers An all-encompassing and dramatic feeling of inevitability and impending doom is achieved by the orchestra.
|
|

1 (2:41) |

2
(2:42)
|

3
(:60)
|

4
(:30)
|

5
(:20)
|

6
(:10)
|
 |
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Epic Adventure A starry night, a celestial journey, an undersea adventure, sails in the open sea. These could all be equally manifested visions conjured by this sublime orchestral cue.
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7 (3:28) |

8
(3:28)
|

9
(:60)
|

10
(:30)
|

11
(:20)
|

12
(:10)
|
 |
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The Big Bang This theme is introduced by the brass section's call and answered by the orchestra, creating an aggressive and explosive track.
|
|

13 (3:18) |

14
(3:18)
|

15
(:60)
|

16
(:30)
|

17
(:20)
|

18
(:10)
|
 |
|
Prepare to Fight Images of an overwhelming siege propelled by a seemingly invincible and immeasurable dark force.
|
|

19 (2:57) |

20
(:60)
|

21
(:30)
|

22
(:20)
|

23
(:10)
|
 |
|
Magical Palace The orchestra plays with grand, majestic exuberance conveying awe, wonder, and amazement.
|
|

24 (2:51) |

25
(2:52)
|

26
(:60)
|

27
(:30)
|

28
(:20)
|

29
(:10)
|
 |
|
Crossing the Desert An orchestral chase that becomes menacing and treacherous on a perilous journey.
|
|

30 (2:54) |

31
(2:55)
|

32
(:60)
|

33
(:30)
|

34
(:20)
|

35
(:10)
|
 |
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Toe to Toe The perfect companion to a large, epic production, the orchestra plays with a sense of gravity and urgency that never lets up.
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|

36 (2:22) |

37
(:60)
|

38
(:30)
|

39
(:20)
|

40
(:10)
|
 |
|
Mythical Chase The orchestra paints a vivid and expansive soundtrack with a grand cinematic scope.
|
|

41 (3:13) |

42
(3:13)
|

43
(:60)
|

44
(:30)
|

45
(:20)
|

46
(:10)
|
 |
|
Orchestral Chaos An energetic yet schizophrenic orchestra intertwines dramatic extremes through a maze of sharp and precise turns. Think Alfred Hitchcock landing on the Planet of the Apes through a shortcut at Miracle on 34th Street.
|
|

47 (2:42) |

48
(2:43)
|

49
(:60)
|

50
(:30)
|

51
(:20)
|

52
(:10)
|
 |
|
Historic Perspective The percussion section opens this track and clears the way for the brass to establish the main theme, ideal for historical documentaries or the end credits of political or war programs.
|
|

53 (2:57) |

54
(2:57)
|

55
(:60)
|

56
(:30)
|

57
(:20)
|

58
(:10)
|
|